Gia and Jacey have very different ideas of what constitutes a good romantic movie, mostly because of Jacey’s tendency to see romance where there is none and ship ALL OF THE THINGS. So they sat down to list their top five “watch when you’re feeling sappy and need romance in your life” movies.
Sliding Doors – I’m assuming this is a romance, there’s a romance in it anyway. I adore this movie because of the one liners and because John Hannah is utterly, ridiculously cute in it. Also because of the line, “I’m a woman! We don’t tell you what we want! But we reserve the right to get pissed off if we don’t get it. It’s what makes us so fascinating. And not a little bit scary.” Truer words have never been spoken.
Beauty and the Beast (Disney) – Seriously, you have to ask? He gives her a LIBRARY. Every book nerd girl had their ovaries explode when the Beast did that. Don’t lie, you know it’s true.
The Quiet Man – Oh Maureen O’Hara. The vibe of this movie is just so perfect. It’s Ireland (which has a special place in my heart because I went there on my honeymoon) and the townspeople are terrifically zany. And the romance between O’Hara and John Wayne is lovely. Also that brawl at the end is epic.
Sense and Sensibility – Alan. Rickman. As Colonel Brandon. Dear God, that man. When he’s staggering across the hills with Kate Winslet in his arms and his absolutely wrecked reading of “Give me an occupation, Miss Dashwood, or I shall run mad”—SWOON! It just cemented my love of Alan Rickman that not even Love Actually could turn aside.
Pride and Prejudice (2005) – I will always love the Gold Standard Colin Firth version, but if you don’t have eight hours to devote to watching a move, this is an excellent second choice. The music is absolutely gorgeous. I like the “earthier” interpretation that actually allows for the fact that people were living without running water or paved roads, so occasionally got dirt on their cheeks and clothes. Matthew MacFayden is not as polished as Firth as Mr. Darcy, but he has an aggressive, grumbly charm that I find very approachable and sexy. And he and Keira Knightley have chemistry to spare. I love that you get a little glimpse into their post-married life and the movie ends on a very sweet note. (PS, I’m actually shocked as hell that we both had a Jane Austen movie on our lists.)
Forgetting Sarah Marshall – Maybe not the most TRADITIONAL choice in romance movies, but SO real in its depiction of a break-up and what happens when a relationship runs out of steam. To the point where it’s kind of uncomfortable. It was really refreshing to see a director/actor let a character be almost unlikeable in his wallowing and attempts to move on with his life (or not.) And when Peter (Jason Siegel) risks getting the crap beat out of him to take down the topless photo, without expecting any sort of “my hero” reward, you know that he’s grown as a person and a potential partner.
The Princess Bride – No list would be complete without it. It is an action movie. It’s an adventure. It’s a magical story. But all of those elements are rooted in the belief that true love is worth fighting for, no matter what form it takes. And reading Cary Elwes’ memoir about making the film, AS YOU WISH, makes me want to watch it over and over to see the things that I missed.
Moonstruck – “SNAP OUT OF IT!” Being married to someone whose personality is very different from my own, I always love seeing how Loretta’s pragmatic, sensible soul clashes but ultimately melds and merges with Ronnie’s intense but misguided passion. He helps shake off her grumpy old widow persona and her enjoy life’s pleasures. She helps him become less of a drama queen and connect with real life. They change each other for the better and the people around them are better for it.
Ever After – It’s nice to see a fairy tale rooted in the tiniest bit of plausible reality. Danielle is spunky and smart, making the best of the hand she’s given. Henry is a prince not-yet-charming, but he’s willing to learn with guidance from the people around him. Yes, magical mice and glass shoes are wonderful, but seeing Leonardo DaVinci stepping in as fairy godmother was a unique take I really enjoyed, plus the costumes are gorgeous. Angela Huston is delicious as the evil Baroness. And the happily ever after features a self-rescuing princess, which is something I loved sharing with my daughter.
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